Details:
ðððððð® ðð°ðð«ð-ðð¢ð§ð§ðð« & ððð±-ðððððð® ððšðŠð¢ð§ðððð ððð³ð³ ðð®ð¢ððð« ððð ðð§ð ððð ðððððððð and his Acclaimed Band perform at the New Orleans Jazz & Blues Market on ðð¡ð®ð«ð¬ððð² ððð§ð®ðð«ð² ð ðð ð:ðð ð.ð. ðð§ð ð ð«ð¢ððð² ððð§ð®ðð«ð² ð ðð ð & ð:ðð ð.ð. "ð¿ðð ð ðð¡ðððð¢ð ðð ððð ðð ð¡âð ððð ð¡ ðððððððð ðð¢ðð¡ðððð ð¡ð ðð ðððððð ððð§ð§âŠ"ð¶ððð¡ððð ð¹ðððððð " ððð ððð€ððŠð ðð ððð¢ðð¡ðð ðð ððð ðð¢ðððð¡ðŠ ðð¢ð ðð,â ððð£ðð ðŽð¿ð¿ ðŽðµððð ðœðŽðð. "ðŸðððððð ððððððððð ðŸðð ðŽððððððððð'ð ððððððð ðð ððððððð ðððððð ðð ðððððð-ðððððð ððððððð, ð¹ððððððð'ð ððððððð ðð ðððððððððððð ððððð..." â ðšð³ð³ðŽðŒðºð°ðª ð¹ððððððð ððð ððð ðððððððð ð ðð ðððððððð, ððð ððð ð ðððð ðððððð, ðððð ðððððð ð ðððð ðð ððððð ðºðððððð, ð·ððð ððððð , ð©.ð©. ð²ððð, ð»ððð ð©ðððððð, ð±ððð ðºððððððð , ð«ðððð ð®ðððððððð, ðšððððð ðððððððð, ðªðððð ðºðððð, ð®ððððð ð©ððððð, ðºððððð ð«ðð, ððð ðððð ðððððð!! ðð¢ðð€ððð¬ ððšð« ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ðð¡ðšð°ð¬ ððð§ ðð ððšð®ð§ð ðð: jazzandbluesmarket.com/events/ NáŽáŽ¡ OÊÊáŽáŽÉŽs JáŽáŽ¢áŽ¢ & BÊáŽáŽs MáŽÊáŽáŽáŽ áŽê°ê°áŽÊs WáŽÊÊᎠ-RáŽÉŽáŽáŽ¡ÉŽáŽáŽ & AᎡáŽÊᎠ-WɪɎɎɪɎɢ MáŽsɪáŽÉªáŽÉŽs, NáŽáŽ¡ PÊáŽáŽÉªáŽáŽ SáŽáŽÉŽáŽ & LɪɢÊáŽÉªÉŽÉ¢ TáŽáŽÊÉŽáŽÊáŽÉ¢ÉªáŽs, SɪɢɎáŽáŽáŽÊᎠCáŽáŽáŽáŽáŽÉªÊs & DÊɪɎáŽs, PÊɪᎠáŽáŽáŽ VáŽÊáŽáŽ PáŽÊáŽÉªÉŽÉ¢, áŽs ᎡáŽÊÊ áŽs LáŽÉ¢áŽÉŽáŽ áŽÊÊ LɪᎠᎠPáŽÊê°áŽÊáŽáŽÉŽáŽáŽs, áŽÉŽáŽ OáŽáŽsáŽáŽÉŽáŽ ɪɎɢ MáŽáŽáŽÊáŽÊÊᎠExáŽáŽÊɪáŽÉŽáŽáŽs! ðð®ð«ð¢ð§ð ðððððð® ðð°ðð«ð-ðð¢ð§ð§ðð« & ððð±-ðððððð® ððšðŠð¢ð§ðððð ððð³ð³ ðð®ð¢ððð« ððð ðð§ð Lee Ritenour'ð¬ ððð³ð³ð¥ð¢ð§ð ðð¢ð¯ð-ðððððð ððð«ððð«, ðð¡ð ðððð¥ðð ðð ð ð®ð¢ððð«ð¢ð¬ð ð¡ðð¬ ððð€ðð§ ð¡ð¢ð¬ ðŠð®ð¬ð¢ð ððš ðð¡ð ðšð®ððð« ð¥ð¢ðŠð¢ðð¬, alighting on every genre and occupying every position in the Rock ânâ Roll firmament. Heâs been an enfant terrible of â70s fusion, a crossover star of the â80s pop chart, an honorary exponent of Brazilian jazz, and the fingers behind â90s Jazz Supergroup, Fourplay. ðð¢ððð§ðšð®ð«âð¬ ððððšð¥ðððð¬ ð¢ð§ðð¥ð®ðð ðð+ ðððð¥ðð¢ðŠðð ðð¥ðð®ðŠð¬; Several Gold Albums; GRAMMY® Award-Winner; 19 GRAMMY® Award Nominations; Alumnus of the year at USC; Los Angelesâ Jazz Society Honoree (2019); and Numerous #1 Spots on Guitar Polls. ðð¢ððð§ðšð®ð« ð°ðð¬ ð ð ðšð®ð§ðð¢ð§ð ðððŠððð« ðšð ððð³ð³ ðð®ð©ðð«ð ð«ðšð®ð© ð ððððððð ð°ð¢ðð¡ ðð¢ððð§ðšð®ð« ðšð§ ðð®ð¢ððð«, ððð ððððð ðšð§ ððð²ððšðð«ðð¬, ðððððð ðððð ðšð§ ððð¬ð¬, ðð§ð ðððððð ððððð ðšð§ ðð«ð®ðŠð¬. Their debut album, âFourplayâ (1991), went Platinum, sold over a million copies and remained at the #1 position on the Billboard Contemporary Jazz chart for 33 weeks. Their next album, âBetween the Sheetsâ (1993), reached #1, went Gold, and received a GRAMMY Nomination. Their third album, âElixirâ (1995), went Gold and also reached the #1 position and remained on the chart for more than 90 weeks! ððð¬ðð¢ð§ð ð¡ð¢ð¬ ðŠð¢ð§ð ðð®ð«ðð¡ðð« ðððð€, ðð¡ð ðð¢ð ð¡ðð¡ðšð®ð¬ð ð¢ð¬ ðð¡ð ð§ððŠð ðšð ðð¡ð ð¬ððšð«ð¢ðð ðð ð£ðð³ð³ ðð¥ð®ð ð°ð¡ðð«ð ðð¡ð ðððð§ðð ð ð ð®ð¢ððð«ð¢ð¬ð ð°ðð¬ ððš ðð ððšð®ð§ð ðŠðšð¬ð ð§ð¢ð ð¡ðð¬ ð¢ð§ ðð¡ð ðŠð¢ð-âððð¬. âðŒâð ð ð¡ððð¡ðð ððððŠððð ðð¢ðð¡ðð ðð¡ ðððâð¡, ððð ððŠ 12, ðŒ ð€ðð ð£ðððŠ ð ððððð¢ð . ðžð£ðððŠððððŠâð ðð¢ðððð ð€ðð ðð ð¡âð ðâððððððð ðððð ð¡âðð, ðððâð¡? ðð ððŠ ððð â ð€âð ð€ðð ðð ðððð¡ðð¢ð ððððð ððððŠðð ððð ððð€ððŠð ð£ðððŠ ð ð¢ððððð¡ðð£ð â ðððððð ð¢ð ðœðð ððð ð ððð ðµðððððŠ ðŸðð ð ðð ððð ðð ððð ð¡âðð ð¡ð ððð£ð ðð ð ðð¢ðð¡ðð ððð ð ðð. ðµðððððŠ ððððð ð¢ð ðððððððððððð ð¡âðð ðððððððððð ð¡ðððâðð, ð·ð¢ðð ðððððð, ððð ð¡âðð¡ ð€ðð ð¡âð ððð¢ðððð¡ððð ðð ððð ððŠ ððððŠððð. ðâð ð¿ððâð¡âðð¢ð ð ð€ðð ð¡âðð ð£ðððŠ ðð¢ðððŠ ððð§ð§ ððð¢ð ð€âððð ðŒ ððð¡ ððð ðððð¡ððððððŠ. ðµðŠ ð¡âð ððð ðð 16, ðŒâð ð¡ððð ð¡âð ððð ðð£ðð ð¡âððð ðð ð¡âð ððð¡ð ððð¡ððððððð ððð ðð¢ð ð¡ ð€ðð¡ðâ ð¡âð ððððð ð ðð¢ðððâððð.â ðð¡ðððð¯ðð« ð ðð§ð«ð ð²ðšð® ð°ðð«ð ð¢ð§ððš, ð«ðððð¥ð¥ð¬ ððð ðð¢ððð§ðšð®ð«, ðð¡ð ð ð®ð¢ððð« ð¬ððð§ð ðð ðð¡ðð ðŠðð ð¢ððð¥ ð£ð®ð§ððð®ð«ð ð¢ð§ ðð¡ð ðŠð¢ð-âððð¬ ð°ðð¬ ð¡ðð«ð ððš ðððð. âðŒð ðð£ðððŠ ððððð, ð¡âððð ð€ððð ððððððð . ðŒð ððð§ð§, ðŠðð¢ âðð ðœðð ððð ð , ððð ðððð¡ððððððŠ, ðµðððððŠ ðŸðð ð ðð, ð»ðð€ððð ð ððððð¡ð , ðœðð ð»ððð, ððð¡ ðððð¡ððð. ðŒð ðµðð¢ðð , ðµ.ðµ. ðŸððð, ðŽððððð¡ ðŸððð, ðœðâð ð¿ðð ð»ððððð. ðŒð ð ððð, ðœððð ð»ðððððð¥ ð€ðð ðððððð, ð¶ðððð¡ðð ððð ðµððð ð€ððð ðððððððŠ ð¡âððð. ðŒð ð¶ðð¢ðð¡ððŠ, ðŠðð¢ âðð ð¶âðð¡ ðŽð¡ðððð , ððð ð¡âð ððð ð¡ððð ððððð¡ ðððð ð ðððð ðð¢ðð¡ðð ððð ð¡ðð, ððððð£ðð, ððð ððððððð , ððð ðððð ðð ð¿ð¢ððð ððð ð¹ððððððð! ðºðððð¡ ðð¢ðð¡ðð ððððŠððð ð€ðð ðð£ðððŠð€âððð ðŠðð¢ ð¡ð¢ðððð, ððð ðŒ ððð£ðð ð¡âðð ðððâŠð»ðð€ ððð¢ðð ðŠðð¢ ððð¡?â ðð¡ðšð¬ð ððð¥ðððð¢ð ððð«ð¥ð² ððð¬ððð¬ ð¬ðð«ð¯ðð ðð¢ððð§ðšð®ð« ð°ðð¥ð¥. ðð¡ð ð£ðð³ð³ ð ð¢ðð§ðð¬ ðð ðð¡ð ðð¢ð ð¡ðð¡ðšð®ð¬ð ð°ðð«ð ð ð©ðð¬ð¬ð¢ðšð§ ððšð« ð¥ð¢ðð: ð£ð®ð¬ð ðð¡ððð€ ðšð®ð ð¡ð¢ð¬ ð¥ðšð¯ð-ð¥ððððð« ððš ðð¡ð ð ð«ððð ðð«. ððšð§ðð ðšðŠðð«ð² ðšð§ ððððâð¬ ðð¥ðð®ðŠ 'ððð¬ ððšð®ð§ð'. But from the day he lucked into his first session for The Mamas and The Papas at age 16, Ritenour had the widescreen musicality to forge a career as one of LAâs busiest session men. âðŒ ðððððððð ðœðâð ðâðððððð âðð ð¡âðð ðððððððððð ð ð¡ð¢ððð ðð âðð ðµðð£ððððŠ ð»ðððð ðððð ððð ððð ðŒ ðð¢ð ð¡ ð¡âðð¢ðâð¡, âðâðð ðð ð€âðð¡ ðŒ ð€ððð¡â. ðŽð ððð ððŠ ððð£ðððð¡ð ððð ððððððððð ð ðð ð ðððð , ðŒ ðððððððð ððð¡ð¡ððð ðððððð ððŠ ðµðð ðžð§ððð ð¡ð ðððððð ðð âððð ðð ððŠ ðð¢ððð â ððð âð¶ðððððð¡ððððŠ ðð¢ððâ ðð ðððð ð¹ðððŠðâð , ðâð ððððâŠðððððððððð. ðŽðð ð¡âðð ð¡âððð ð€ðð ðð¢ððððŠ ðœðððð ððððð¢ðððð ðºððððð ðµððð ððâð , âðºðð£ð ðð ð¡âð ðððâð¡â ðððð¢ð ððð ððð ðð ð¢ð ð€ððð¡ððð âð¡ðð 4ðð ððð ðð¡ðð£ðð ðððððð ð¡ð ð âðð€ ð¢ð ððð ððððŠ ð ð ððð âðâð ð€ððð¡ð¡ðð ððð ðºðððððâð ðððð¢ðâŠð»ð! ððð ððððŠ ðððððððð !â ðð¢ð€ð ðð¥ðšð¬ð ðð«ð¢ðð§ð ðð§ð ððð¥ð¥ðšð° ð¬ðð¬ð¬ð¢ðšð§ ððð, ððšððšâð¬ ðððð¯ð ðð®ð€ððð¡ðð«, ðð¢ððð§ðšð®ð« ð°ðð¬ ðð¥ð°ðð²ð¬ ðŠðšð«ð ðð¡ðð§ ð ð ð®ð§-ððšð«-ð¡ð¢ð«ð. In â76, he launched his own solo career with his debut album âFirst Courseâ, and managed the magic trick of following his muse while finding enviable commercial success, especially in the â80s. âðð ð¡âð ððð ð¡ ð¶ððð ð¡, ðð¢ð ððð ð€ðð ðð¢ð ð¡ ð ð¡ððð¡ððð,â âð ððððððððð , âððð ð€ð ð€ððð ððððððððð ð¡ð ððððððð ð¡âð ðððððððð ðð ððð ðð¢ð ðð, ðð¢ð¡ ð€ðð¡â ð¡âð ð ððâðð ð¡ðððð¡ððð ðð ððð§ð§. ðð ð€ððð ððð ð¡ððððð ð¡ð ðððððð ðððð ðœðâð ððð¿ðð¢ðâððð, ð¶âððð ð¶ðððð, ððð ð¡âðð ðð¡ ð¡âð ð ððð ð¡ððð, ðºððð£ðð ððð âðððð¡ðð ðœð, ð·ðð£ðð ððððððð, ðµðð ðœðððð . ðð ðð¡ ð€ðð ððððððŠ ð ððð¡ð¢ððð ðð£ððð¢ð¡ððð ððð ððŠ ðð€ð ððððððð ð¡ð ðð£ððð£ð ðð¢ð¡ ðð ð¡âðð¡. ðâðð ðŒ ðððððððŠ ððð ð€ðð ð ðºð ðŽððð® ðð 1985 â ððð âðžððððŠ ðŽ.ð. ðŽð¡ð¡ðð¡ð¢ððâ â ðŒ ð¡âððð ðŒ ð€ðð ððð¡ð¢ððððŠ ð ð¡ð¢ðð ðð ð¡âð ððððð€ððŠ. ðµð¢ð¡ ðð€ðððð ððððâð¡ ð¡âð ðððð ðð ð€ðâðð ðððððð ðð¢ð ðð.â ðð¢ð€ðð°ð¢ð¬ð, ð°ð¡ð¢ð¥ð ðð¡ð ð£ðð³ð³ ð¬ð®ð©ðð«ð ð«ðšð®ð© ð ðšð®ð«ð©ð¥ðð² ð¬ððšð«ðð ð ððšðŠðŠðð«ðð¢ðð¥ ð¡ð¢ð ð°ð¢ðð¡ ðð¡ðð¢ð« ðð©ðšð§ð²ðŠðšð®ð¬ ðððð ðððð®ð ðð¥ðð®ðŠ, ððšð« ðð¢ððð§ðšð®ð«, ðð¡ð ðððð«ðððð¢ðšð§ ð°ðð¬ ðð¥ð¥ ðððšð®ð ðð¡ð ðð¡ððŠð¢ð¬ðð«ð² ðððð°ððð§ ðð¡ð ððð§ð ðŠððŠððð«ð¬. âðâð ððððð ð€ðð ðððððððð¡ð ððð¡ð€ððð ðð, ðµðð ðœðððð , ð»ððð£ððŠ ððð ðð ððð ððð¡âðð ðžðð ð¡. ððð¢ ðððâð¡ ðððð€ ð¡âðð¡ ð ððð¡ ðð ð¡âððð ð¢ð ðð ð ðâððð¡ â ðð¡ ððð¡âðð ð€ðððð ðð ðð¡ ðððð ðâð¡. ðð ððð ð¡âððð ðððð¢ðð , ðð¢ð¡ ð¡âðð ð¡âð ðð¢ð ðððð ð ððð¡ ð ð ððððððððð¡ðð ð¡âðð¡ ðŒ ð¡ððð ð ððð ð ðð 1997. ðµð¢ð¡ ð¡âððð ð€ðð ððð€ððŠð ððððððð âðð ððð ðð¢ð ðððð ððð ðððð¡, ððð ð€ð ððð ð¡ðððððð ðððð¢ð¡ ððððð ððð ððð ð¡ ððð¢ðððð ððððððð¡ ð¡ðððð¡âðð.â ððð¬ð©ððð ð°ðð¬ ð©ðð¥ð©ððð¥ð, ððšðš, ð°ð¡ðð§ ðð¢ððð§ðšð®ð« ðŠððð ðð¡ð ðððð ðð¥ðð®ðŠ, 'ðð¢ð± ððð«ð¢ð§ð ðð¡ððšð«ð²', ðð§ ðð¥ð¥-ð¬ððð« ðð¥ðð®ðŠ ðð¡ðð ðð«ððððð ðŠðð§ð² ðšð ðð¡ð ðððŠðšð®ð¬ ðð«ð¢ðð§ðð¬ ð¡ðâð ð©ð¢ðð€ðð ð®ð© ðð¥ðšð§ð ð¡ð¢ð¬ ð©ððð¡. âðŒð ð¡âð ðððððŠ ðððŠð , ðŠðð¢ ððð¢ðð ððð£ðð ðð¢ð¡ ððð¢ðð¡ððŠ, ððð§ð§, ðððð ððð ððð ð¡âðð ð ð ð¡ðŠððð ðð ð¡âð ð ððð ðððððð. ðâð ðððððð ððððððððð ð€ðð¢ðð ð ððŠ, âðð, ðŠðð¢âð£ð ððð¡ ð¡ð âðð£ð ððð ð¡âðððâ. ðµð¢ð¡ ððŠ 2010, ð¡âð ðððððð ð€ððððâð¡ ðð ððð€ðððð¢ð ðð ð¡âððŠ ð€ððð, ððð ð¡âððŠ ð€ððð ððððððð ððð ððð¡ðððð ð¡ððð ððððððð¡ð . ðŒ ð€ððð¡ ð¡ð ððŠ ðð¢ðððŠ ðð¡ðð£ð ð¿ð¢ððð¡âðð, ððð ðºððððð ðµððð ðð ððð ðµ.ðµ. ðŸððð, ððð ð¡âððŠ ððð ð ððð ðŠðð . ðð ðððððð ðð¡ ð¢ð ð¡ð ððððŠððð ðððð ðœðð ðµðððððð ð ð ððð ðœðâð ðððððððð â ððð ðð£ðððŠððð ððððŠðð ð¡âððð ðð ð ððð.â ððšð¥ð¥ðððšð«ððð¢ðšð§ ðŠð¢ð ð¡ð ðð ð ððšð§ð¬ððð§ð, ðð®ð ð¢ð§ ð ððð«ððð« ðð®ð¥ð¥ ðšð ð¥ððð-ðð®ð«ð§ð¬, ðð¢ððð§ðšð®ð«âð¬ ð¥ðððð¬ð ðððð¥ðð¢ðŠðð ðð¥ðð®ðŠ âðð«ðððŠððððð¡ðð«â ð¢ð¬ ðð§ðšðð¡ðð« ðð¡ð«ð¢ð¥ð¥ð¢ð§ð ððððšð®ð«. Both by necessity and design, this latest album represents music in its purest form: one man, channeling his headspace and the history unfolding around him, using the instrument that has sustained him all these years. There is a first time for everything and there has never been a better time for âDreamcatcherâ. âðŒâð£ð ððð£ðð ðððð ðððŠð¡âððð ðððð ð¡âðð ðððððð ððð ðð¡âð ðð ðððððð¡ððð¡ ððð ð ððð ððððð ðð ððŠ ðð¢ðð¡ðð âðð ð¡ðððŠ. ðŒð¡ ð€ðð ððð ðððððð ððð ðð¡ ð€ðð ððððð¡ ð¡ð âððððð... ðð ð¡âðð ð ð¡ðððð â ððð¡ðð ð ððððð¡ððð ðð ððððŠððð ð¡âð ðð¢ðð¡ðð,â âð ðððð ððððð , âð¡âðð ððððððð¡ ðððððððððð ðð¢ð ð¡ âðð€ ðð¢ðâ ðŒ ððð£ð ð¡âð ðð¢ðð¡ðð.â ðð¢ðð€ððð¬ ððšð« ðððððð® ðð°ðð«ð-ðð¢ð§ð§ðð« & ððð±-ðððððð® ððšðŠð¢ð§ðððð ððð³ð³ ðð®ð¢ððð« ððð ðð§ð ððð ðððððððð at the New Orleans Jazz & Blues Market on ðð¡ð®ð«ð¬ððð² ððð§ð®ðð«ð² ð ðð ð:ðð ð.ð. ðð§ð ð ð«ð¢ððð² ððð§ð®ðð«ð² ð ðð ð & ð:ðð ð.ð. are NOW On-Sale on Ticketmaster, Facebook Events at: (Jan 9 â 7 PM) and (Jan 9 â 9:30 PM) and the New Orleans Jazz & Blues Market Website at: .. - ð«ðððð ð¶ððð 2 ð¯ðððð ðððððð ððð 1ðð ðºððð ððð 1 ðððð ðððððð ððð 2ðð ðºððð!! ðð¥ððð¬ð ððšð¥ð¥ðšð° ð®ð¬ ðšð§ ðð§ð¬ððð ð«ððŠ ðð: ðð¥ð¥ ðšð ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ðð¡ðšð°ð¬ & ðð¯ðð§ðð¬ ððð§ ðð ððšð®ð§ð ðð: - ð¶ðŒð»ðºð»ðšðµð«ð°ðµð® 2026 ðºð¯ð¶ðŸðº ð¶ðµ-ðºðšð³ð¬ ðµð¶ðŸ!! ðð¢ð ð§-ð®ð© ððšð« ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ððŠðð¢ð¥ ððð°ð¬ð¥ððððð« ðð: www.jazzandbluesmarket.com/subscribe to stay informed on Upcoming Shows, New Artist Announcements, Promotional Offers, Ticket On-Sale Dates, Special Performances, and much more!! Thank you!! ððððððð ðððððð, ððððððððð ðððððð & ðððððððð. The New Orleans Jazz & Blues Market offers a spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties, and memorable celebrations!! If interested, please email: info@jazzandbluesmarket.com. #NewOrleansJazzAndBluesMarket #TheJazzAndBluesMarket #NOLA #NewOrleans #JazzBluesMarket #Jazz #JazzMusic #JazzFusion #JazzClub #LiveJazz #LeeRitenour #Grammys #JazzGuitar #Guitar #LiveBand #LiveMusic #Cocktails #Music #MusicLover #LegendaryLivePerformance
