Kandace Springs

𝐈𝐧𝐭𝐞𝐫𝐧𝐚𝐭𝐢𝐨𝐧𝐚𝐥𝐥𝐲 𝐀𝐜𝐜𝐥𝐚𝐢𝐦𝐞𝐝 𝐉𝐚𝐳𝐳 & 𝐒𝐨𝐮𝐥 𝐒𝐢𝐧𝐠𝐞𝐫 𝐚𝐧𝐝 𝐏𝐢𝐚𝐧𝐢𝐬𝐭 𝐊𝐀𝐍𝐃𝐀𝐂𝐄 𝐒𝐏𝐑𝐈𝐍𝐆𝐒 will perform at the New Orleans Jazz & Blues Market on 𝐒𝐚𝐭𝐮𝐫𝐝𝐚𝐲 𝐃𝐞𝐜𝐞𝐦𝐛𝐞𝐫 𝟐𝟕 𝐚𝐭 𝟕 & 𝟗:𝟑𝟎 𝐏.𝐌. 𝑲𝒂𝒏𝒅𝒂𝒄𝒆 𝑺𝒑𝒓𝒊𝒏𝒈𝒔’ 𝒔𝒐𝒖𝒍𝒇𝒖𝒍 𝒔𝒊𝒏𝒈𝒊𝒏𝒈 𝒍𝒆𝒅 𝒉𝒆𝒓 𝒍𝒂𝒕𝒆 𝒎𝒆𝒏𝒕𝒐𝒓 𝑷𝑹𝑰𝑵𝑪𝑬 𝒕𝒐 𝒅𝒆𝒄𝒍𝒂𝒓𝒆 𝒔𝒉𝒆 𝒉𝒂𝒔, “𝒂 𝒗𝒐𝒊𝒄𝒆 𝒘𝒉𝒊𝒄𝒉 𝒄𝒐𝒖𝒍𝒅 𝒎𝒆𝒍𝒕 𝒔𝒏𝒐𝒘.” “𝑺𝒑𝒓𝒊𝒏𝒈𝒔 𝒑𝒓𝒐𝒗𝒆𝒔 𝒂𝒈𝒂𝒊𝒏 𝒕𝒐 𝒃𝒆 𝒐𝒏𝒆 𝒐𝒇 𝒕𝒐𝒅𝒂𝒚’𝒔 𝒃𝒆𝒔𝒕 𝒗𝒐𝒊𝒄𝒆𝒔.” – 𝑮𝑳𝑰𝑫𝑬 𝑴𝑨𝑮𝑨𝒁𝑰𝑵𝑬 𝐓𝐢𝐜𝐤𝐞𝐭𝐬 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐍𝐞𝐰 𝐎𝐫𝐥𝐞𝐚𝐧𝐬 𝐉𝐚𝐳𝐳 & 𝐁𝐥𝐮𝐞𝐬 𝐌𝐚𝐫𝐤𝐞𝐭 𝐒𝐡𝐨𝐰𝐬 𝐜𝐚𝐧 𝐛𝐞 𝐟𝐨𝐮𝐧𝐝 𝐚𝐭: jazzandbluesmarket.com/events/ Nᴇᴡ Oʀʟᴇᴀɴs Jᴀᴢᴢ & Bʟᴜᴇs Mᴀʀᴋᴇᴛ ᴏꜰꜰᴇʀs Wᴏʀʟᴅ-Rᴇɴᴏᴡɴᴇᴅ & Aᴡᴀʀᴅ-Wɪɴɴɪɴɢ Mᴜsɪᴄɪᴀɴs, Nᴇᴡ Pʀᴇᴍɪᴜᴍ Sᴏᴜɴᴅ & Lɪɢʜᴛɪɴɢ Tᴇᴄʜɴᴏʟᴏɢɪᴇs, Sɪɢɴᴀᴛᴜʀᴇ Cᴏᴄᴋᴛᴀɪʟs & Dʀɪɴᴋs, Pʀɪᴠᴀᴛᴇ Vᴀʟᴇᴛ Pᴀʀᴋɪɴɢ, ᴀs ᴡᴇʟʟ ᴀs Lᴇɢᴇɴᴅᴀʀʏ Lɪᴠᴇ Pᴇʀꜰᴏʀᴍᴀɴᴄᴇs, ᴀɴᴅ Oᴜᴛsᴛᴀɴᴅɪɴɢ Mᴇᴍᴏʀᴀʙʟᴇ Exᴘᴇʀɪᴇɴᴄᴇs! 𝐊𝐚𝐧𝐝𝐚𝐜𝐞 𝐒𝐩𝐫𝐢𝐧𝐠𝐬' 𝐫𝐞𝐟𝐢𝐧𝐞𝐝 𝐦𝐢𝐱 𝐨𝐟 𝐑&𝐁, 𝐣𝐚𝐳𝐳, 𝐚𝐧𝐝 𝐩𝐨𝐩 𝐡𝐚𝐬 𝐛𝐞𝐞𝐧 𝐬𝐡𝐨𝐰𝐜𝐚𝐬𝐞𝐝 𝐰𝐢𝐭𝐡 ‘𝐒𝐨𝐮𝐥 𝐄𝐲𝐞𝐬’ (𝟐𝟎𝟏𝟔), ‘𝐈𝐧𝐝𝐢𝐠𝐨’ (𝟐𝟎𝟏𝟖), 𝐚𝐧𝐝 ‘𝐓𝐡𝐞 𝐖𝐨𝐦𝐞𝐧 𝐖𝐡𝐨 𝐑𝐚𝐢𝐬𝐞𝐝 𝐌𝐞’ (𝟐𝟎𝟐𝟎), 𝐚𝐥𝐛𝐮𝐦𝐬 𝐭𝐡𝐞 𝐬𝐢𝐧𝐠𝐞𝐫, 𝐬𝐨𝐧𝐠𝐰𝐫𝐢𝐭𝐞𝐫, 𝐚𝐧𝐝 𝐩𝐢𝐚𝐧𝐢𝐬𝐭 𝐡𝐚𝐬 𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐝 𝐨𝐧 𝐁𝐥𝐮𝐞 𝐍𝐨𝐭𝐞. The first two projects both landed at #2 on Billboard's Contemporary Jazz Chart. From the first second of Kandace Springs' latest album -'The Women Who Raise Me' - you know you've arrived at something different. And once she starts singing, well, it's pretty clear ‘The Women Who Raised Me’ exists apart from the normal rules that govern space, time, and talent. 𝐖𝐡𝐢𝐥𝐞 𝟐𝟎𝟏𝟖'𝐬 ‘𝐈𝐧𝐝𝐢𝐠𝐨’ 𝐋𝐏 𝐟𝐨𝐮𝐧𝐝 𝐭𝐡𝐞 𝐍𝐚𝐬𝐡𝐯𝐢𝐥𝐥𝐞 𝐬𝐢𝐧𝐠𝐞𝐫-𝐩𝐢𝐚𝐧𝐢𝐬𝐭 𝐮𝐬𝐢𝐧𝐠 𝐦𝐨𝐝𝐞𝐫𝐧 𝐩𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧 𝐭𝐨 𝐛𝐞𝐧𝐝 𝐬𝐨𝐮𝐧𝐝 𝐢𝐧𝐭𝐨 𝐧𝐞𝐰 𝐠𝐞𝐧𝐫𝐞 𝐟𝐨𝐫𝐦𝐬 𝐢𝐧 𝐜𝐨𝐥𝐥𝐚𝐛𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐰𝐢𝐭𝐡 𝐊𝐚𝐫𝐫𝐢𝐞𝐦 𝐑𝐢𝐠𝐠𝐢𝐧𝐬, ‘𝐓𝐡𝐞 𝐖𝐨𝐦𝐞𝐧 𝐖𝐡𝐨 𝐑𝐚𝐢𝐬𝐞𝐝 𝐌𝐞’ 𝐚𝐝𝐡𝐞𝐫𝐞𝐬 𝐬𝐨𝐧𝐢𝐜𝐚𝐥𝐥𝐲 𝐭𝐨 𝐣𝐚𝐳𝐳 𝐰𝐡𝐢𝐥𝐞 𝐒𝐩𝐫𝐢𝐧𝐠𝐬 𝐭𝐫𝐚𝐯𝐞𝐥𝐬 𝐛𝐚𝐜𝐤 𝐚𝐧𝐝 𝐟𝐨𝐫𝐭𝐡 𝐚𝐜𝐫𝐨𝐬𝐬 𝐚 𝐧𝐞𝐚𝐫-𝐜𝐞𝐧𝐭𝐮𝐫𝐲 𝐨𝐟 𝐦𝐮𝐬𝐢𝐜. While the feel is as rich and complex as our her voice, the concept is simple. Springs covers the women who inspired her while she was growing up, putting her own spin on songs associated with a dozen of the greatest female vocalists of all-time: Ella Fitzgerald, Roberta Flack, Astrud Gilberto, Lauryn Hill, Billie Holiday, Nora Jones, Diana Krall, Carmen McRae, Bonnie Raitt, Sade, Nina Simone, and Dusty Springfield. "𝑇ℎ𝑖𝑠 𝑖𝑠 𝑎𝑛 𝑎𝑙𝑏𝑢𝑚 𝐼'𝑣𝑒 𝑏𝑒𝑒𝑛 𝑤𝑎𝑛𝑡𝑖𝑛𝑔 𝑡𝑜 𝑚𝑎𝑘𝑒 𝑓𝑜𝑟𝑒𝑣𝑒𝑟," 𝑠𝑎𝑦𝑠 𝑆𝑝𝑟𝑖𝑛𝑔𝑠. "𝐼𝑡 𝑟𝑒𝑎𝑙𝑙𝑦 𝑒𝑥𝑝𝑟𝑒𝑠𝑠𝑒𝑠 𝑚𝑦 𝑙𝑜𝑣𝑒 𝑓𝑜𝑟 𝑎𝑙𝑙 𝑜𝑓 𝑡ℎ𝑒𝑠𝑒 𝑠𝑖𝑛𝑔𝑒𝑟𝑠 𝑎𝑛𝑑 𝑔𝑟𝑎𝑡𝑖𝑡𝑢𝑑𝑒 𝑓𝑜𝑟 𝑤ℎ𝑎𝑡 𝑡ℎ𝑒𝑦 𝑔𝑎𝑣𝑒 𝑚𝑒. 𝐸𝑎𝑐ℎ 𝑡𝑎𝑢𝑔ℎ𝑡 𝑚𝑒 𝑠𝑜𝑚𝑒𝑡ℎ𝑖𝑛𝑔 𝑑𝑖𝑓𝑓𝑒𝑟𝑒𝑛𝑡 𝑎𝑛𝑑 𝑎𝑙𝑙 𝑜𝑓 𝑡ℎ𝑜𝑠𝑒 𝑙𝑒𝑠𝑠𝑜𝑛𝑠 𝑐𝑜𝑚𝑏𝑖𝑛𝑒𝑑 𝑡𝑜 𝑚𝑎𝑘𝑒 𝑚𝑒 𝑤ℎ𝑜 𝐼 𝑎𝑚 𝑛𝑜𝑤. 𝐼𝑛 𝑎 𝑤𝑎𝑦, 𝑎𝑙𝑙 𝐼’𝑚 𝑡𝑟𝑦𝑖𝑛𝑔 𝑡𝑜 𝑑𝑜 𝑒𝑣𝑒𝑟𝑦 𝑑𝑎𝑦 𝑖𝑠 𝑙𝑖𝑣𝑒 𝑢𝑝 𝑡𝑜 𝑡ℎ𝑒 𝑒𝑥𝑎𝑚𝑝𝑙𝑒𝑠 𝑡ℎ𝑒𝑦 𝑠𝑒𝑡. 𝑀𝑦 𝑑𝑟𝑒𝑎𝑚 𝑖𝑠 𝑡ℎ𝑎𝑡 𝑝𝑒𝑜𝑝𝑙𝑒 𝑤𝑖𝑙𝑙 𝑙𝑖𝑠𝑡𝑒𝑛 𝑡𝑜 𝑚𝑦 𝑎𝑙𝑏𝑢𝑚 𝑎𝑛𝑑 𝑡ℎ𝑒𝑛 𝑤𝑎𝑛𝑡 𝑡𝑜 𝑔𝑜 𝑙𝑒𝑎𝑟𝑛 𝑚𝑜𝑟𝑒 𝑎𝑏𝑜𝑢𝑡 𝑎𝑙𝑙 𝑜𝑓 𝑡ℎ𝑒𝑠𝑒 𝑔𝑟𝑒𝑎𝑡 𝑤𝑜𝑚𝑒𝑛. 𝐼𝑓 𝑡ℎ𝑎𝑡 ℎ𝑎𝑝𝑝𝑒𝑛𝑠, 𝑡ℎ𝑒𝑛 𝐼’𝑣𝑒 𝑑𝑜𝑛𝑒 𝑚𝑦 𝑗𝑜𝑏." 𝐖𝐡𝐢𝐥𝐞 ‘𝐓𝐡𝐞 𝐖𝐨𝐦𝐞𝐧 𝐖𝐡𝐨 𝐑𝐚𝐢𝐬𝐞𝐝 𝐌𝐞’ 𝐩𝐫𝐨𝐣𝐞𝐜𝐭 𝐰𝐚𝐬 𝐩𝐞𝐫𝐬𝐨𝐧𝐚𝐥 — 𝐩𝐫𝐚𝐜𝐭𝐢𝐜𝐚𝐥𝐥𝐲 𝐚 𝐜𝐚𝐥𝐥𝐢𝐧𝐠 — 𝐟𝐨𝐫 𝐒𝐩𝐫𝐢𝐧𝐠𝐬, 𝐢𝐭'𝐬 𝐚𝐥𝐬𝐨 𝐚𝐧 𝐢𝐧𝐭𝐢𝐦𝐚𝐭𝐞 𝐬𝐡𝐨𝐰𝐜𝐚𝐬𝐞 𝐟𝐨𝐫 𝐡𝐞𝐫 𝐚𝐛𝐢𝐥𝐢𝐭𝐢𝐞𝐬. Produced by Larry Klein — who also produced Springs’ 2016 album ‘Soul Eyes’ — the album captures Springs in the studio with a spare but able band who all have ties to the artists honored here: guitarist Steve Cardenas (Norah Jones), bassist Scott Colley (Carmen McRae), and drummer Clarence Penn (Diana Krall). They played live, underscoring the power of Springs' voice and hands, as well as her gift for moving between singers' intonations and legacies while staying herself — as her heroines would want it. Heroes too. "Prince liked when I played all this stuff," Springs recalls. "He'd go, 'That's you right there." 𝐁𝐮𝐭 𝐥𝐨𝐧𝐠 𝐛𝐞𝐟𝐨𝐫𝐞 𝐏𝐫𝐢𝐧𝐜𝐞 𝐬𝐚𝐰 𝐒𝐩𝐫𝐢𝐧𝐠𝐬 𝐨𝐧 𝐘𝐨𝐮𝐓𝐮𝐛𝐞 𝐚𝐧𝐝 𝐢𝐧𝐯𝐢𝐭𝐞𝐝 𝐡𝐞𝐫 𝐭𝐨 𝐣𝐚𝐦 𝐚𝐭 𝐏𝐚𝐢𝐬𝐥𝐞𝐲 𝐏𝐚𝐫𝐤 𝐢𝐧 𝟐𝟎𝟏𝟒 — 𝐭𝐡𝐞 𝐲𝐞𝐚𝐫 𝐬𝐡𝐞'𝐝 𝐬𝐢𝐠𝐧 𝐭𝐨 𝐁𝐥𝐮𝐞 𝐍𝐨𝐭𝐞 𝐰𝐢𝐭𝐡 𝐚𝐧 𝐚𝐮𝐝𝐢𝐭𝐢𝐨𝐧 𝐨𝐟 𝐁𝐨𝐧𝐧𝐢𝐞 𝐑𝐚𝐢𝐭𝐭'𝐬 "𝐈 𝐂𝐚𝐧'𝐭 𝐌𝐚𝐤𝐞 𝐘𝐨𝐮 𝐋𝐨𝐯𝐞 𝐌𝐞" — 𝐭𝐡𝐞𝐫𝐞 𝐰𝐚𝐬 Norah Jones. When Springs was a gifted preteen pianist with no plans to sing, her father, Nashville session singer Scat Springs, slid her a copy of Nora Jones' ‘Come Away With Me’. Kandace put the CD on while doing chores, and, "When 'The Nearness of You' came on I froze," Springs says. "I was like, 'That is what I want to do!'" So of course that song made it onto ‘The Women Who Raised Me’. But also, the actual Norah Jones did too. They trade smoke-ringed verses on Ella Fitzgerald's "Angel Eyes" as Jones' Steinway dances with Springs' Wurly. 𝐍𝐨𝐫𝐚 𝐉𝐨𝐧𝐞𝐬 𝐢𝐬𝐧'𝐭 𝐭𝐡𝐞 𝐨𝐧𝐥𝐲 𝐠𝐮𝐞𝐬𝐭 - 𝐢𝐭'𝐬 Christian McBride'𝐬 𝐛𝐚𝐬𝐬 𝐭𝐡𝐚𝐭 𝐤𝐢𝐜𝐤𝐬 𝐨𝐟𝐟 𝐭𝐡𝐞 𝐋𝐏, 𝐢𝐧 𝐟𝐚𝐜𝐭, 𝐨𝐧 𝐒𝐩𝐫𝐢𝐧𝐠𝐬' 𝐬𝐰𝐢𝐧𝐠𝐢𝐧𝐠 𝐜𝐨𝐯𝐞𝐫 𝐨𝐟 "𝐃𝐞𝐯𝐢𝐥 𝐌𝐚𝐲 𝐂𝐚𝐫𝐞" 𝐛𝐲 𝐃𝐢𝐚𝐧𝐚 𝐊𝐫𝐚𝐥𝐥. That one was also part of her dad's informal chops-building curriculum after he brought home a secondhand upright piano when she was 10. Springs was instantly drawn to Krall's elegant playing and unfussy singing. Scat turned her onto Nina Simone too, eventually. "I didn’t like her voice at first," Springs admits. "It seemed strange, but it was so unique and haunting that I kept coming back." Before long, she was as inspired by Nina's spirit as her art. In honor of their shared love for classical, Springs incorporates Moonlight Sonata into her rousing version of "I Put a Spell on You," as David Sanborn blows fiery alto sax. 𝐄𝐯𝐞𝐧 𝐚𝐬 𝐍𝐨𝐫𝐚 𝐉𝐨𝐧𝐞𝐬, 𝐂𝐡𝐫𝐢𝐬𝐭𝐢𝐚𝐧 𝐌𝐜𝐁𝐫𝐢𝐝𝐞, David Sanborn — 𝐚𝐧𝐝 𝐩𝐥𝐚𝐲𝐞𝐫𝐬 𝐥𝐢𝐤𝐞 𝐭𝐫𝐮𝐦𝐩𝐞𝐭𝐞𝐫 Avishai Cohen; 𝐟𝐥𝐮𝐭𝐢𝐬𝐭 𝐄𝐥𝐞𝐧𝐚 𝐏𝐢𝐧𝐝𝐞𝐫𝐡𝐮𝐠𝐡𝐞𝐬, 𝐚𝐧𝐝 𝐭𝐞𝐧𝐨𝐫 𝐬𝐚𝐱𝐨𝐩𝐡𝐨𝐧𝐢𝐬𝐭 Chris Potter — “𝐩𝐨𝐩 𝐢𝐧” — ‘𝐓𝐡𝐞 𝐖𝐨𝐦𝐞𝐧 𝐖𝐡𝐨 𝐑𝐚𝐢𝐬𝐞𝐝 𝐌𝐞’ 𝐫𝐞𝐦𝐚𝐢𝐧𝐬 𝐮𝐧𝐦𝐢𝐬𝐭𝐚𝐤𝐚𝐛𝐥𝐲 𝐒𝐩𝐫𝐢𝐧𝐠𝐬' 𝐯𝐢𝐬𝐢𝐨𝐧. Springs says she learned much from Billie Holiday’s example — but her main takeaway is as basic as it is bone-deep: "That nothing is more important than singing from the heart.” 𝐇𝐞𝐫𝐞 𝐢𝐬 𝐚𝐧 𝐚𝐰𝐞𝐬𝐨𝐦𝐞 𝐬𝐨𝐧𝐠 - '𝐋𝐨𝐯𝐞 𝐆𝐨𝐭 𝐈𝐧 𝐓𝐡𝐞 𝐖𝐚𝐲' - featuring Kandace, David Sanborn on Sax, and Nate Smith on Drums: “𝑪𝒊𝒕𝒊𝒏𝒈 𝑵𝒊𝒏𝒂 𝑺𝒊𝒎𝒐𝒏𝒆 𝒂𝒔 𝒉𝒆𝒓 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏, 𝑺𝒑𝒓𝒊𝒏𝒈𝒔 𝒆𝒗𝒊𝒏𝒄𝒆𝒔 𝒂 𝒔𝒊𝒎𝒊𝒍𝒂𝒓𝒍𝒚 𝒑𝒐𝒘𝒆𝒓𝒇𝒖𝒍 𝒃𝒆𝒂𝒖𝒕𝒚, 𝒂 𝒔𝒂𝒕𝒊𝒏 ‘𝒏 𝒔𝒊𝒏𝒆𝒘 𝒗𝒆𝒓𝒗𝒆, 𝒕𝒉𝒐𝒖𝒈𝒉 𝒉𝒆𝒓 𝒔𝒐𝒖𝒍-𝒊𝒏𝒇𝒖𝒔𝒆𝒅 𝒔𝒐𝒖𝒏𝒅 𝒎𝒐𝒓𝒆 𝒔𝒕𝒓𝒐𝒏𝒈𝒍𝒚 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒔 𝑪𝒂𝒔𝒔𝒂𝒏𝒅𝒓𝒂 𝑾𝒊𝒍𝒔𝒐𝒏 𝒃𝒚 𝒘𝒂𝒚 𝒐𝒇 𝑾𝒉𝒊𝒕𝒏𝒆𝒚 𝑯𝒐𝒖𝒔𝒕𝒐𝒏.” – 𝑱𝑨𝒁𝒁 𝑻𝑰𝑴𝑬𝑺 𝐓𝐢𝐜𝐤𝐞𝐭𝐬 𝐟𝐨𝐫 𝐈𝐧𝐭𝐞𝐫𝐧𝐚𝐭𝐢𝐨𝐧𝐚𝐥𝐥𝐲 𝐀𝐜𝐜𝐥𝐚𝐢𝐦𝐞𝐝 𝐉𝐚𝐳𝐳 & 𝐒𝐨𝐮𝐥 𝐒𝐢𝐧𝐠𝐞𝐫 𝐚𝐧𝐝 𝐏𝐢𝐚𝐧𝐢𝐬𝐭 𝐊𝐀𝐍𝐃𝐀𝐂𝐄 𝐒𝐏𝐑𝐈𝐍𝐆𝐒 at the New Orleans Jazz & Blues Market on 𝐒𝐚𝐭𝐮𝐫𝐝𝐚𝐲 𝐃𝐞𝐜𝐞𝐦𝐛𝐞𝐫 𝟐𝟕 𝐚𝐭 𝟕 & 𝟗:𝟑𝟎 𝐏.𝐌. are NOW On-Sale on Ticketmaster, Facebook Events at: (7 PM) and (9:30 PM) and the New Orleans Jazz & Blues Market Website at: .. - 𝑫𝒐𝒐𝒓𝒔 𝑶𝒑𝒆𝒏 2 𝑯𝒐𝒖𝒓𝒔 𝒃𝒆𝒇𝒐𝒓𝒆 𝒕𝒉𝒆 1𝒔𝒕 𝑺𝒉𝒐𝒘 𝒂𝒏𝒅 1 𝒉𝒐𝒖𝒓 𝒃𝒆𝒇𝒐𝒓𝒆 𝒕𝒉𝒆 2𝒏𝒅 𝑺𝒉𝒐𝒘!! 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