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ðð§ððð«ð§ððð¢ðšð§ðð¥ð¥ð² ðððð¥ðð¢ðŠðð ððð³ð³ & ððšð®ð¥ ðð¢ð§ð ðð« ðð§ð ðð¢ðð§ð¢ð¬ð ððððððð ððððððð will perform at the New Orleans Jazz & Blues Market on ðððð®ð«ððð² ðððððŠððð« ðð ðð ð & ð:ðð ð.ð. ð²ððð ððð ðºððððððâ ððððððð ððððððð ððð ððð ðððð ðððððð ð·ð¹ð°ðµðªð¬ ðð ð ðððððð ððð ððð, âð ððððð ððððð ððððð ðððð ðððð.â âðºðððððð ðððððð ððððð ðð ðð ððð ðð ððð ððâð ðððð ðððððð.â â ð®ð³ð°ð«ð¬ ðŽðšð®ðšðð°ðµð¬ ðð¢ðð€ððð¬ ððšð« ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ðð¡ðšð°ð¬ ððð§ ðð ððšð®ð§ð ðð: jazzandbluesmarket.com/events/ NáŽáŽ¡ OÊÊáŽáŽÉŽs JáŽáŽ¢áŽ¢ & BÊáŽáŽs MáŽÊáŽáŽáŽ áŽê°ê°áŽÊs WáŽÊÊᎠ-RáŽÉŽáŽáŽ¡ÉŽáŽáŽ & AᎡáŽÊᎠ-WɪɎɎɪɎɢ MáŽsɪáŽÉªáŽÉŽs, NáŽáŽ¡ PÊáŽáŽÉªáŽáŽ SáŽáŽÉŽáŽ & LɪɢÊáŽÉªÉŽÉ¢ TáŽáŽÊÉŽáŽÊáŽÉ¢ÉªáŽs, SɪɢɎáŽáŽáŽÊᎠCáŽáŽáŽáŽáŽÉªÊs & DÊɪɎáŽs, PÊɪᎠáŽáŽáŽ VáŽÊáŽáŽ PáŽÊáŽÉªÉŽÉ¢, áŽs ᎡáŽÊÊ áŽs LáŽÉ¢áŽÉŽáŽ áŽÊÊ LɪᎠᎠPáŽÊê°áŽÊáŽáŽÉŽáŽáŽs, áŽÉŽáŽ OáŽáŽsáŽáŽÉŽáŽ ɪɎɢ MáŽáŽáŽÊáŽÊÊᎠExáŽáŽÊɪáŽÉŽáŽáŽs! ððð§ðððð ðð©ð«ð¢ð§ð ð¬' ð«ððð¢ð§ðð ðŠð¢ð± ðšð ð&ð, ð£ðð³ð³, ðð§ð ð©ðšð© ð¡ðð¬ ðððð§ ð¬ð¡ðšð°ððð¬ðð ð°ð¢ðð¡ âððšð®ð¥ ðð²ðð¬â (ðððð), âðð§ðð¢ð ðšâ (ðððð), ðð§ð âðð¡ð ððšðŠðð§ ðð¡ðš ððð¢ð¬ðð ððâ (ðððð), ðð¥ðð®ðŠð¬ ðð¡ð ð¬ð¢ð§ð ðð«, ð¬ðšð§ð ð°ð«ð¢ððð«, ðð§ð ð©ð¢ðð§ð¢ð¬ð ð¡ðð¬ ð«ðð¥ððð¬ðð ðšð§ ðð¥ð®ð ððšðð. The first two projects both landed at #2 on Billboard's Contemporary Jazz Chart. From the first second of Kandace Springs' latest album -'The Women Who Raise Me' - you know you've arrived at something different. And once she starts singing, well, it's pretty clear âThe Women Who Raised Meâ exists apart from the normal rules that govern space, time, and talent. ðð¡ð¢ð¥ð ðððð'ð¬ âðð§ðð¢ð ðšâ ðð ððšð®ð§ð ðð¡ð ððð¬ð¡ð¯ð¢ð¥ð¥ð ð¬ð¢ð§ð ðð«-ð©ð¢ðð§ð¢ð¬ð ð®ð¬ð¢ð§ð ðŠðšððð«ð§ ð©ð«ðšðð®ððð¢ðšð§ ððš ððð§ð ð¬ðšð®ð§ð ð¢ð§ððš ð§ðð° ð ðð§ð«ð ððšð«ðŠð¬ ð¢ð§ ððšð¥ð¥ðððšð«ððð¢ðšð§ ð°ð¢ðð¡ ððð«ð«ð¢ððŠ ðð¢ð ð ð¢ð§ð¬, âðð¡ð ððšðŠðð§ ðð¡ðš ððð¢ð¬ðð ððâ ððð¡ðð«ðð¬ ð¬ðšð§ð¢ððð¥ð¥ð² ððš ð£ðð³ð³ ð°ð¡ð¢ð¥ð ðð©ð«ð¢ð§ð ð¬ ðð«ðð¯ðð¥ð¬ ðððð€ ðð§ð ððšð«ðð¡ ððð«ðšð¬ð¬ ð ð§ððð«-ððð§ðð®ð«ð² ðšð ðŠð®ð¬ð¢ð. While the feel is as rich and complex as our her voice, the concept is simple. Springs covers the women who inspired her while she was growing up, putting her own spin on songs associated with a dozen of the greatest female vocalists of all-time: Ella Fitzgerald, Roberta Flack, Astrud Gilberto, Lauryn Hill, Billie Holiday, Nora Jones, Diana Krall, Carmen McRae, Bonnie Raitt, Sade, Nina Simone, and Dusty Springfield. "ðâðð ðð ðð ðððð¢ð ðŒ'ð£ð ðððð ð€ððð¡ððð ð¡ð ðððð ððððð£ðð," ð ððŠð ððððððð . "ðŒð¡ ððððððŠ ðð¥ðððð ð ðð ððŠ ððð£ð ððð ððð ðð ð¡âðð ð ð ðððððð ððð ðððð¡ðð¡ð¢ðð ððð ð€âðð¡ ð¡âððŠ ððð£ð ðð. ðžððâ ð¡ðð¢ðâð¡ ðð ð ðððð¡âððð ððððððððð¡ ððð ððð ðð ð¡âðð ð ððð ð ððð ðððððððð ð¡ð ðððð ðð ð€âð ðŒ ðð ððð€. ðŒð ð ð€ððŠ, ððð ðŒâð ð¡ððŠððð ð¡ð ðð ðð£ðððŠ ðððŠ ðð ððð£ð ð¢ð ð¡ð ð¡âð ðð¥ðððððð ð¡âððŠ ð ðð¡. ððŠ ððððð ðð ð¡âðð¡ ðððððð ð€ððð ððð ð¡ðð ð¡ð ððŠ ðððð¢ð ððð ð¡âðð ð€ððð¡ ð¡ð ðð ððððð ðððð ðððð¢ð¡ ððð ðð ð¡âðð ð ððððð¡ ð€ðððð. ðŒð ð¡âðð¡ âðððððð , ð¡âðð ðŒâð£ð ðððð ððŠ ððð." ðð¡ð¢ð¥ð âðð¡ð ððšðŠðð§ ðð¡ðš ððð¢ð¬ðð ððâ ð©ð«ðšð£ððð ð°ðð¬ ð©ðð«ð¬ðšð§ðð¥ â ð©ð«ðððð¢ððð¥ð¥ð² ð ððð¥ð¥ð¢ð§ð â ððšð« ðð©ð«ð¢ð§ð ð¬, ð¢ð'ð¬ ðð¥ð¬ðš ðð§ ð¢ð§ðð¢ðŠððð ð¬ð¡ðšð°ððð¬ð ððšð« ð¡ðð« ððð¢ð¥ð¢ðð¢ðð¬. Produced by Larry Klein â who also produced Springsâ 2016 album âSoul Eyesâ â the album captures Springs in the studio with a spare but able band who all have ties to the artists honored here: guitarist Steve Cardenas (Norah Jones), bassist Scott Colley (Carmen McRae), and drummer Clarence Penn (Diana Krall). They played live, underscoring the power of Springs' voice and hands, as well as her gift for moving between singers' intonations and legacies while staying herself â as her heroines would want it. Heroes too. "Prince liked when I played all this stuff," Springs recalls. "He'd go, 'That's you right there." ðð®ð ð¥ðšð§ð ððððšð«ð ðð«ð¢ð§ðð ð¬ðð° ðð©ð«ð¢ð§ð ð¬ ðšð§ ððšð®ðð®ðð ðð§ð ð¢ð§ð¯ð¢ððð ð¡ðð« ððš ð£ððŠ ðð ððð¢ð¬ð¥ðð² ððð«ð€ ð¢ð§ ðððð â ðð¡ð ð²ððð« ð¬ð¡ð'ð ð¬ð¢ð ð§ ððš ðð¥ð®ð ððšðð ð°ð¢ðð¡ ðð§ ðð®ðð¢ðð¢ðšð§ ðšð ððšð§ð§ð¢ð ððð¢ðð'ð¬ "ð ððð§'ð ððð€ð ððšð® ððšð¯ð ðð" â ðð¡ðð«ð ð°ðð¬ Norah Jones. When Springs was a gifted preteen pianist with no plans to sing, her father, Nashville session singer Scat Springs, slid her a copy of Nora Jones' âCome Away With Meâ. Kandace put the CD on while doing chores, and, "When 'The Nearness of You' came on I froze," Springs says. "I was like, 'That is what I want to do!'" So of course that song made it onto âThe Women Who Raised Meâ. But also, the actual Norah Jones did too. They trade smoke-ringed verses on Ella Fitzgerald's "Angel Eyes" as Jones' Steinway dances with Springs' Wurly. ððšð«ð ððšð§ðð¬ ð¢ð¬ð§'ð ðð¡ð ðšð§ð¥ð² ð ð®ðð¬ð - ð¢ð'ð¬ Christian McBride'ð¬ ððð¬ð¬ ðð¡ðð ð€ð¢ðð€ð¬ ðšðð ðð¡ð ðð, ð¢ð§ ðððð, ðšð§ ðð©ð«ð¢ð§ð ð¬' ð¬ð°ð¢ð§ð ð¢ð§ð ððšð¯ðð« ðšð "ððð¯ð¢ð¥ ððð² ððð«ð" ðð² ðð¢ðð§ð ðð«ðð¥ð¥. That one was also part of her dad's informal chops-building curriculum after he brought home a secondhand upright piano when she was 10. Springs was instantly drawn to Krall's elegant playing and unfussy singing. Scat turned her onto Nina Simone too, eventually. "I didnât like her voice at first," Springs admits. "It seemed strange, but it was so unique and haunting that I kept coming back." Before long, she was as inspired by Nina's spirit as her art. In honor of their shared love for classical, Springs incorporates Moonlight Sonata into her rousing version of "I Put a Spell on You," as David Sanborn blows fiery alto sax. ðð¯ðð§ ðð¬ ððšð«ð ððšð§ðð¬, ðð¡ð«ð¢ð¬ðð¢ðð§ ðððð«ð¢ðð, David Sanborn â ðð§ð ð©ð¥ðð²ðð«ð¬ ð¥ð¢ð€ð ðð«ð®ðŠð©ðððð« Avishai Cohen; ðð¥ð®ðð¢ð¬ð ðð¥ðð§ð ðð¢ð§ððð«ð¡ð®ð ð¡ðð¬, ðð§ð ððð§ðšð« ð¬ðð±ðšð©ð¡ðšð§ð¢ð¬ð Chris Potter â âð©ðšð© ð¢ð§â â âðð¡ð ððšðŠðð§ ðð¡ðš ððð¢ð¬ðð ððâ ð«ððŠðð¢ð§ð¬ ð®ð§ðŠð¢ð¬ððð€ððð¥ð² ðð©ð«ð¢ð§ð ð¬' ð¯ð¢ð¬ð¢ðšð§. Springs says she learned much from Billie Holidayâs example â but her main takeaway is as basic as it is bone-deep: "That nothing is more important than singing from the heart.â ððð«ð ð¢ð¬ ðð§ ðð°ðð¬ðšðŠð ð¬ðšð§ð - 'ððšð¯ð ððšð ðð§ ðð¡ð ððð²' - featuring Kandace, David Sanborn on Sax, and Nate Smith on Drums: âðªððððð ðµððð ðºððððð ðð ððð ððððððððððð, ðºðððððð ððððððð ð ððððððððð ðððððððð ðððððð, ð ððððð âð ððððð ððððð, ðððððð ððð ðððð-ððððððð ððððð ðððð ðððððððð ðððððððð ðªðððððð ðð ðŸððððð ðð ððð ðð ðŸðððððð ð¯ðððððð.â â ð±ðšðð ð»ð°ðŽð¬ðº ðð¢ðð€ððð¬ ððšð« ðð§ððð«ð§ððð¢ðšð§ðð¥ð¥ð² ðððð¥ðð¢ðŠðð ððð³ð³ & ððšð®ð¥ ðð¢ð§ð ðð« ðð§ð ðð¢ðð§ð¢ð¬ð ððððððð ððððððð at the New Orleans Jazz & Blues Market on ðððð®ð«ððð² ðððððŠððð« ðð ðð ð & ð:ðð ð.ð. are NOW On-Sale on Ticketmaster, Facebook Events at: (7 PM) and (9:30 PM) and the New Orleans Jazz & Blues Market Website at: .. - ð«ðððð ð¶ððð 2 ð¯ðððð ðððððð ððð 1ðð ðºððð ððð 1 ðððð ðððððð ððð 2ðð ðºððð!! ðð¥ððð¬ð ððšð¥ð¥ðšð° ð®ð¬ ðšð§ ðð§ð¬ððð ð«ððŠ ðð: ðð¥ð¥ ðšð ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ðð¡ðšð°ð¬ & ðð¯ðð§ðð¬ ððð§ ðð ððšð®ð§ð ðð: - ð¶ðŒð»ðºð»ðšðµð«ð°ðµð® 2025 & 2026 ðºð¯ð¶ðŸðº ð¶ðµ-ðºðšð³ð¬ ðµð¶ðŸ!! ðð¢ð ð§-ð®ð© ððšð« ðð¡ð ððð° ðð«ð¥ððð§ð¬ ððð³ð³ & ðð¥ð®ðð¬ ððð«ð€ðð ððŠðð¢ð¥ ððð°ð¬ð¥ððððð« ðð: www.jazzandbluesmarket.com/subscribe to stay informed on Upcoming Shows, New Artist Announcements, Promotional Offers, Ticket On-Sale Dates, Special Performances, and much more!! Thank you!! ððððððð ðððððð, ððððððððð ðððððð & ðððððððð. The New Orleans Jazz & Blues Market offers a spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties, and memorable celebrations!! If interested, please email: info@jazzandbluesmarket.com. #NewOrleansJazzAndBluesMarket #NOLA #NewOrleans #TheJazzAndBluesMarket #JazzBluesMarket #JazzClub #Jazz #JazzMusic #jazzvocalist #jazzsinger #kandacesprings #singer #jazzpiano #vocalist #LiveBand #LiveMusic #Cocktails #Music #MusicLover #LegendaryLivePerformance
